Editore: Simone Vannini
Chopin's reputation has been constantly growing, and yet many of his deepest and most poetic compositions are almost unknown to amateurs, not to speak of the public at large. A few of his least characteristic pieces are heard in every parlor, generally in a wofully mutilated condition, but some of his most inspired later works I have never heard played either in private or in the concert hall, although I am sure that if heard there they would be warmly applauded.
There is hardly a composer concerning whom so many erroneous notions are current as concerning Chopin, and of all the histories of music I have seen that of Langhans is the only one which devotes to Chopin an amount of space approximately proportionate to his importance. One of the most absurd of the misconceptions is that Chopin's genius was born in full armor, and that it did not pass through several stages of development, like that of other composers. Chopin did display remarkable originality at the very beginning, but the apparent maturity of his first published works is due to the fact that he destroyed his earliest efforts and disowned those works which are known as posthumous, and which may have created confusion in some minds by having received a higher "opus" number than his last works.
|Formato||[EU] Stampa bianco e nero - standard - 148x210 mm - Carta bianca - Copertina opaca|